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We do not teach young people how to be on stage for the sake of being actors or dancers. We do offer young people a disciplined learning environment in which they will learn drama and dance skills from skilled peer leaders and professional tutors.


There is no selection or audition. Lack of skill and experience of drama and dance may be the best point of departure on what could be a two year journey with KIC, longer if you have the dedication and creativity to be a member of the peer leadership team. Beginners are given time to show their energy and enthusiasm. They will be expected to be restless, questioning, fun and committed. They will know if they should stay or go.


When you’re young you’ve got attitude and energy to burn. You’ve probably never really heard yourself saying what you feel about what gets you down or lifts you up. KIC training is about you becoming more visible in a project that uses street dance, contact improvisation, video, music and physical imagery to tell your story.


The KIC training environment is safe, trusting, pleasureable and charged with the expectation of personal discovery. We play games, make beat-based choreography, make movement fantasies with no beat, tell each other stories, sometimes with bodies and no sound, other times with only sounds. We tell our stories in physical images and create characters through physical movement, only using words when absolutely necessary. We call these things ‘skill-frames’, but you will need them when you are put in the dark and all you are given is the freedom to make physical shapes, use a precious object and a personal statement as your ID card to make yourself visible in an unfamiliar space.


The creative dark is a thrilling place to be, especially after a while when the ‘frames’ you have been making for your story are filled up with your words, your moves. A while longer and you will have a sequence like video - words, pictures and movement. You are rewarded when your story comes out of the dark like a Polaroid coming into focus.


David Calvert.

 

 

Training programmes have developed over the past 5 years in consultation with the best practitioners of Youth Theatre in Europe. Research into the best models of practice has been funded by The Arts Lottery, The Belfast City Council, The Arts Council of Northern Ireland. The training on offer to teenagers in the current programmes is the outcome of this exhaustive research.

 

 

 

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